BILLY APPLE was born Barrie Bates in Auckland, New Zealand in
1935. He left New Zealand in 1959 to study graphic design at the
Royal College of Art in London. After graduating in 1962, he
changed his name to Billy Apple. In 1964 he moved to New York where
he continued to produce pop-related paintings and objects before
developing a body of neon sculptures, showing at various venues
including the Bianchini Gallery, Howard Wise Gallery and the Pepsi
Cola Gallery. By 1969 Apple had shifted to a more conceptual and
process-oriented practice. To create a venue for his work he
established Apple, a not-for-profit space at 161 West 23rd Street
which he operated between October 1969 and May 1973. A major survey
of Apple's work, which brought together his pop and conceptual
works from 1960 to 1974, was staged at the Serpentine Gallery in
London in 1974. He exhibited regularly at various venues in New
York's alternative art scene including 3 Mercer Street, Holly
Solomon and the Clocktower, and for one year was director of 112
Greene Street Gallery (1975-76). Apple remained in New York until
1990, continuing to exhibit his work in various venues, including
Leo Castelli Gallery (in 1977, 1978, 1980, and 1984). He also made
two extended tours to New Zealand in 1975 and 1979-80, producing a
string of site-specific installations in dealer and public
galleries throughout the country. Since the early 1980s Apple has
complemented his installation practice with text-based works that
draw attention to the art system and highlight the network of
relations that operate between artist, dealer, and collector. A
survey of these, As Good as Gold: Billy Apple Art Transactions
1981-1991, was organised and toured by Wellington City Art Gallery
in 1991. He became a registered trademark in 2007 to formalise his
art brand status and continues to develop projects that address
this, for example working with apple growers over the production
and branding of a new apple cultivar and a collaborative
art/science project, The Immortalisation of Billy Apple®, in which
cells from his blood have been virally transformed to create a cell
line that will live outside the body for use in studies like cancer
research. Apple is currently working on a large scale public art
commission for the city of Auckland for the 2011 IRB Rugby World
Cup.
Based in Auckland since the 1990s, Apple exhibits regularly in
dealer, public and artist-run galleries throughout New Zealand and
in Australia, and his works have been included in major
international and national touring exhibitions. These include: Toi
Toi Toi: Three Generations of New Zealand Artists (Kassel &
Auckland, 1999); Global Conceptualism: Points of Origin (New York,
1999); Kronos + Kairos: die Zeit in der Zeitgenössischen Kunst,
(Kassel, 1999); Shopping: A Century of Art and Consumer Culture
(Frankfurt & Liverpool, 2002-3); American Supermarket
(Pittsburgh, 2002), and Art of the '60s from Tate Britain
(Auckland, 2006). In 2009 a second major survey exhibition of
Apple's work was staged in two parts at Witte de With, Center for
Contemporary Art in Rotterdam (Billy Apple®: A History of the Brand
and Revealed/Concealed). In New Zealand aspects of his career have
been reevaluated in exhibitions such as Billy Apple: New York
1969-1973 (Wellington 2009). A retrospective curated by Christina
Barton is in development for the Auckland Art Gallery and is
scheduled for 2012 to celebrate the artists 50 years as Billy
Apple.
Billy Apple is represented in public and private collections
throughout New Zealand and Australia as well as the Tate Britain,
London; Guggenheim Museum, New York; Detroit Institute of Arts,
Detroit; The Chrysler Museum of Art, Norfolk, Virginia; and the
Corning Museum of Glass, New York.