Alicia Frankovich: Counter/action
1 February - 1 March 2008

Starkwhite is pleased to present Counter/action by Alicia Frankovich, from 1 February to 1 March 2008. The artist wishes to acknowledge Creative New Zealand's support for the development and presentation of the work in this exhibition.

"Alicia Frankovich's surreal environmental installations often feature suspended or inverted furniture. At their core, they are concerned with bodily expression, which is manifested through gymnastics and sports. ...The objects Frankovich constructs and positions in space suggest a scene that seems to have taken place before our arrival and is now 'frozen' in the condition in which we find it. ...The power of her work consists in its resistance to the empty nature of the spectacle, with its grandiose and useless gestures. The intentionally low-tech materials she employs contrast with the advertising image propagated by health clubs of an energetic body sculpted by and dependent on sophisticated machinery. Frankovich's work provokes us to wonder to what extent the body can continue to rely on external artifices? What is the meaning of overcoming one's physical limitations? Frankovich materialises and gives these questions form within her spatial enclosures in order to explore and expand their day-to-day relevance." Lisette Lagnado, Alicia Frankovich, ICE CREAM, contemporary art and culture

Frankovich's works are sculptural but played out through various forms such as the photographic image or drawing, the object and the outcome of performance. Though not maintaining one specific style or medium, the works break with and intercept space in an inversion of forms; the upside down object in its attempt to overcome convention draws upon the notion of the flip and the suspended release in mid air. Frankovich's autobiography as an ex-gymnast is used in method to approach her materials with a sense of flux and flight and is referenced in the broader sense throughout her movement across planes. Driven by the body there are domestic references as well as ad-hoc musings in an attempt to break with rigid structures and intercept architectural spaces, vectors and zones from light to grand gestures. These new works exhibited are concerned with the event and the post-performance object. From the found situation to the interrupted trajectory, in Counter/action Frankovich allows the viewer a space to alight, and inverts our perception of common ground.

Alicia Frankovich's recent solo shows include: Of Stadiums and Construction Sites, Gertrude Contemporary Art Spaces, studio 12, Melbourne, (2006); WE ARE HOUSED (in and around all this stuff), The Physics Room, Christchurch, (2005); Standard Apparatus, CLUBSproject, Melbourne, (2005); Alicia Frankovich, Rm, 103, Auckland, (2004); and A Kelly Frankovich Production, Conical Inc, Melbourne, (2004). She has also been represented in group shows including: Body Work, Le Case D'Arte, Milan, (2008); Invisible Miracles, Neon FDV, Milan, (2007); Busan Biennale, South Korea (2006); www, Kaliman, Sydney, (2005); Manoeuvre, St Paul St. Gallery, Auckland, (2004) and Lost in Translation, Small Gallery, CalArts, Valencia, (2004). She was a studio artist at Gertrude Street Contemporary Art Spaces in Melbourne from 2005-6 and this year she will take up an artists' residency at the Firestation studios in Dublin.

Located in New Zealand on Auckland's Karangahape Road, Starkwhite presents a programme of artists' projects, solo shows, independently curated exhibitions and occasional forays into new music and other interdisciplinary practices. Starkwhite also represents artists from New Zealand, Australia and the Pacific rim.

For further information on the exhibition, or images, please contact the gallery.

Starkwhite
510 Karangahape Road, Auckland, New Zealand
Tel. 64 9 3070703
Monday to Friday: 11.00am to 6.00pm
Saturday: 11.00am to 5.00pm
starkwhite@starkwhite.co.nz
www.starkwhite.co.nz