We’re in LA next week for Art Los Angeles Contemporary and when we return we start installing Len Lye: Love Springs Eternal, opening on 7 February. The Lye show is presented with the support of the Len Lye Foundation, the Govett-Brewster Art Gallery / Len Lye Centre and Nga Taonga Sound and Vision. #lenlyefoundation @govettbrewster @ngataongasv #lenlye #kineticart #experimentalfilm #directfilm
Fiona Pardington in conversation with the New York Times’ Farah Nayeri at The London Art Fair. @hinakehe @londonartfair @misaladnan
Dialogues curator Misal Adnan Yildiz and critic Edward Lucie Smith in our booth at The London Art Fair, where we are presenting Yildiz’s selection of photographs from Fiona Pardington’s series Nabokov’s Blues: The Charmed Circle. @hinakehe @misaladnan @londonartfair #edwardluciesmith #nabokov #nabokovsblues
Curator Misal Adnan Yildiz and artist Fiona Pardington at the London Art Fair vernissage. @londonartfair @hinakehe @misaladnan #fionapardington #nabokov #nabokovsblues
Curator Misal Adnan Yildiz, Tarquin Prince-Pike and Fiona Pardington in the Starkwhite booth in Dialogues, the curated section of The London Art Fair (17-21 January). The booth features a suite of photographs from Pardington’s series Nabokov’s Blues; The Charmed Circle. @londonartfair @hinakehe @misaladnan #artfairs #fionapardington #nabokov #nabokovsblues
We kick off our 2018 exhibition programme at Starkwhite with Len Lye: Love Springs Eternal. Image: Len Lye Fountain, 1959-60, Len Lye Foundation collection, Govett-Brewster Art Gallery. Exhibition produced with the support of the Len Lye Foundation, the Govett-Brewster Art Gallery/Len Lye Centre and Nga Taonga Sound and Vision. #lenlye #kineticart #movingimage #lenlyefoundation #modernism @govettbrewster @ngataongasv
From the studio of Michael Zavros - detail of a painting for our two-person show at Art Basel Hong Kong (with Fiona Pardington) in March. @michaelzavros @artbasel #artbaselhongkong
New work by Laith McGregor for Art Los Angeles Contemporary - one of a suite of small sculptures. @laithmcgregor @alacontemporary #portraiture #carvings
New work by Laith McGregor for our presentation at Art Los Angeles Contemporary from 25-28 January. Image: Lookout (2017), oil on canvas and wood carvings, 1985 x 1530 mm. @laithmcgregor @alac@ #portraiture
Looking forward to Art Los Angeles Contemporary (25-28 January) where we’ll present works by Laith McGregor and Danie Mellor. Image: detail of Danie Mellor’s The pleasure and vexation of history (2017), wax pastel, wash with oil pigment, water colour and pencil on paper. @daniemellor @alacontemporary
Counting down the days to the opening of the curated Dialogues section of The London Art fair (17-21 January), featuring works from Fiona Pardington’s Nabokov’s butterflies series. Image: Lysandra (now Polyommatus) coridon (Chalk-hill Blue), wing scales, 1, 2016. With thanks Musee Cantonal du Zoologie, Lausanne, Switzerland. @hinakehe @misaladnan @londonartfair
One of a suite of works by Fiona Pardington for the Dialogues section of The London Art Fair curated by Misal Adnan Yildiz. Image: Lycaeides Melissa wing scales, 2, 2016. With thanks to Musee Cantonal du Zoologie, Lausanne, Switzerland. @hinakehe @misaladnan @londonartfair
Happy New Year! We start 2018 with a presentation of Fiona Pardington’s work in Dialogues, the curated section of The London Art Fair (17-21 January). This year’s edition of Dialogues has been curated by Misal Adnan Yildiz, former director of Artspace (NZ). Image: Non-exist Future Past: Time spiral, October 28. 1964. 2016. With thanks to the New York Public Library. @hinakehe @misaladnan @londonartfair #fionapardington #artfairs
Richard Maloy’s long-duration video Things I Have Seen (14hr 03min 32sec) screening at today (the longest day of the year) at Starkwhite from sunrise to sunset. @richardmaloy #summersolstice2017 #longestday
Tomorrow we begin our set up and pre-opening test run for Richard Maloy’s long-duration video Things I Have Seen, which runs for just over 14 hours on the longest day of the year (22 December). @richardmaloy @asianewzealandfoundation @creativenz #videoart
On Friday 22 December - the longest day of the year in the Southern hemisphere - we will screen Richard Maloy’s long-duration video Things I Have Seen (14hrs 03min 32sec) from sunrise to 7.30pm. The video is an outcome of his three-month residency at Youkobo Art Space earlier this year. @richardmaloy #videoart #longestday #summersolstice
Unpacking and shelving our copies of Gavin Hipkins: The Domain published by the Dowse Art Museum. #gavinhipkins #artpublication @thedowse
Last days for Michael Zavros: The Silver Fox, closing on Saturday. Image: The Kitten (2016), oil on aluminium, 400 x 275 mm. @michaelzavros @miccyzee @p_zavros #portrait #superrealism
Final days for Michael Zavros: The Silver Fox at Starkwhite, closing Saturday 16 December. @michaelzavros @miccyzee #portrait #superrealism
From the archive: one of Gavin Hipkins’s standout photographs from his block painting series, now in a private collection in Wellington. Visitors to the city should catch the survey show Gavin Hipkins: The Domain at the Dowse Art Museum. #gavinhipkins #surveyexhibition @thedowse