Exhibitions

Gordon Walters: From the Archive

Starkwhite is pleased to present Gordon Walters: From the Archive from 5 February – 7 March 2020, in partnership with the Walter Estate. Developed with Laurence Simmons, one of the curators of the survey exhibition Gordon Walters: New Vision, the exhibition highlights the way Walters used drawing, collage, and preparatory studies (gouache and acrylic on paper) to explore the dynamic elements he used in his paintings, focusing on many of his lesser-known motifs.

Artist’s preliminary workings are often private acts, not meant to be viewed alongside the finished work. But being able to see early iterations of an idea offers a window into creative process and allows the viewer to trace the stylistic evolution of form or composition in an work. While many of Gordon Walters’ art works feel sharp and the relationships between their forms resolved, this exhibition of drawings, gouaches, and collages that led to the finished art works provides an entry point into the thinking and process of one of New Zealand’s most significant artists.

Gordon Walters: From the Archive concentrates on un-chartered territory – Walters’ inquiry-driven approach to resolving space, form, and the relationship between forms. In a curated selection of works from the Walters Estate collection housed at Dunedin Public Art Gallery, the viewer can trace how Walters worked through the possibilities of such geometric forms and figure-ground relationships across preparatory works. Walters’ way of working was what writer Laurence Simmons has called an “elaborated intellectual practice of painting”. These studies are a conversation of sorts, sometimes over many years, as Walters absorbed and re-presented influences and formal relationships.

This selection showcases the research, thinking, and detail that went into Gordon Walters’ practice, making visible the processes and problem-solving activity he engaged in. There’s nothing formulaic to be seen in the studies, only experimentation as motifs and blocks of opposing colour are moved, flipped, and repurposed to visually bounce off each other in new configurations. Some motifs that start as geometric structures seem to adopt a more organic rhythm or sensuousness in their final form. Others revert to formality and repetition of form. In some of the works it is possible to trace a sequence of preparatory studies to their finished form, watching as the artist expands and distils shape and structure, only to discard this for a more restrained or isolated segmentation of form.

Gordon Walters is a revered figure in New Zealand, recognised for a long and productive career spanning five decades. The Auckland Art Gallery Toi o Tamaki and Dunedin Public Art Gallery organised a major retrospective exhibition of his work – Gordon Walters: New Vision – which is currently touring New Zealand. The Auckland Art Gallery Toi o Tamaki also staged a retrospective exhibition his work in 1983 and a survey exhibition Parallel Lines in 1994, and he has been included in many survey shows, including A Very Peculiar Practice: Aspects of Recent New Zealand Art at City Gallery, Wellington. Walters is represented in the country’s major public collections and his place in our art history is also memorialised in the bi-annual Walters Prize exhibition and award at Auckland Art Gallery Toi o Tamaki.

Aside from Australia, where his work has been seen in Headlands: thinking through New Zealand Art at Sydney’s Museum of Contemporary Art (1992) and the 5th Asia Pacific Triennial at the Queensland Art Gallery and Gallery of Modern Art (2006-2007), Gordon Walters’ work has not found its way onto the international stage. This provided an opportunity for an important initiative by Starkwhite and the Walters Estate – to stage a solo exhibition of his paintings at Art Basel Hong Kong (one of the world’s greatest art fairs) in 2015, where it was seen by international curators, exhibition makers and influential collectors. Starkwhite also presented Walters again at Art Basel Hong Kong in 2016, along with Arnold Manaaki Wilson and Fiona Pardington. These presentations represent a small step towards granting Walters the international recognition he so richly deserves.

Exhibitions

Current

Upcoming

Past

Layla Rudneva-Mckay | I Roll

15 February 2022 - 19 March 2022

Fiona Pardington | Tarota

16 November – 18 December 2021

Fiona Pardington | Tarota Preview

5 October – 7 October 2021

Jan van der Ploeg | The Other Window

17 August – 12 October 2021

Laith McGregor | Second Wind

3 July 2021 – 7 August 2021

Richard Maloy | Maternal Routine

3 June - 19 June 2021

The Auckland Art Fair 2021

24.02 - 28.02

Will Cooke | Every Wall Is A Door

15 January 2021 - 13 February 2021

Whitney Bedford - Bohemia

Seung Yul Oh: Horizontal Loop

John Reynolds: RocksInTheSky...

For Pink Pussycat Club | as part of THE BILL

Fiona Pardington | Childish Things

Seung Yul Oh memmem

Rebecca Baumann Once More With Feeling

SIGNALS

The Armory Show 2010 | 1001 Nights
an installation by John Reynolds

Art LA Contemporary 2010

ShContemporary 2008 | Gavin Hipkins, Hye Rim Lee, Jae Hoon Lee and Grant Stevens

Jonny Niesche | Poikilos | 17 November - 22 December

GEMMA SMITH - Thin Air

SLIPPERY PAINTING

Performative Geographies

Sampler 2020

Gordon Walters: From the Archive

Richard Maloy

Rebecca Baumann: New Work

Jan van der Ploeg | The Other Window | 17 August to 12 October

the artists in conversation, The Estate of L. Budd et al.

Art of Wine

Billy Apple® and Tāme Iti: Flagged

Clinton Watkins

Yuk King Tan

Sampler 2019

TIKI: Orphans of Māoriland

AM/PM/AM

BILLY APPLE® is N=One

Ani O'Neill

Laith McGregor | Second Wind | July 3 - August 7

Alicia Frankovich

Martin Basher: Untitled

The Estate of L.Budd_et al.

Gavin Hipkins: Block Units

John Stezaker: Collages

Grant Stevens - The Mountain and the Waterfalls

Gordon Walters

Sampler

125

Len Lye: Love Springs Eternal

Richard Maloy | Things I have Seen

Michael Zavros | The Silver Fox

Martin Basher | Devil at the Gates of Heaven

Daniel von Sturmer, Luminous Figures

Martin Basher | Hawaiian Tropic

Nabokov's Blues: The Charmed Circle

John Reynolds 2017

BIll Henson | 1985 -2021 | 21 May - 19 June

On the Grounds

Billy Apple

Beyond Landscape

John Reynolds | WalkWithMe...

Laith McGregor | Swallow the Sun

Matt Henry | Analogues

Daniel Crooks | Vanishing Point

Material Candour 2016

Fiona Pardington | 100% Unicorn

Layla Rudneva-Mackay: Running Towards Water

Martin Basher Birds of Paradise | 13 April - 14 May

Clinton Watkins | lowercase

Whitney Bedford 2016 | Lost and Found

Alicia Frankovich | The Female has Undergone Several Manifestations

Fiona Pardington | The Popular Recreator

Gavin Hipkins | Block Paintings

Gordon Walters: Gouaches and a Painting from the 1950s

In Motion

Laith McGregor | Somewhere Anywhere

Starkwhite Queenstown | New Location

TOTEM | A Starkwhite exhibition curated by Mary Morrison

Group Show

Martin Basher | Jizzy Velvet

John Reynolds BLUTOPIA

Gavin Hipkins Erewhon

Grant Stevens Hold Together, Fall Apart

Michael Zavros Bad Dad

Not Another Art Fair | 24 February -3 April

THE ANALYSIS OF BILLY APPLE®

Layla Rudneva-Mackay

Lovers

Glen Hayward I don't want you to worry about me

Matt Henry High Fidelity

Richard Maloy All the things I did by Richard Maloy

Li Xiaofei

John Reynolds Vagabondage

Clinton Watkins Frequency Colour

BAZINGA! curated by Robert Leonard

Starkwhite Queenstown 29 January - 26 February

Whitney Bedford: This for That

Jin Jiangbo: Rules of Nature

Martin Basher

Billy Apple®: $9,020 AND $5,750 TOP UPS

Jim Speers Long Days

Ross Manning: Field Emmissions

Peter Peryer Edition

Jae Hoon Lee Antarctic Fever

Greetings from Los Angeles curated by Brian Butler

Seung Yul Oh HUGGONG