Exhibitions

Seung Yul Oh | Huggong-Monologue

09.07 - 13.08

The latest solo exhibition by Seung Yul Oh teases concepts of hard and soft and introduces two new works. Bowl takes the form of a monkey, the latest in a series of anthropomorphic sculptures that explore the dynamics of scale and oscillate between adorable and curious. Although enlarged to roughly one metre in length, Oh’s sculpture is accurately proportioned and realistic, seeming to come to life as it nimbly walks along a rod on all fours. We would expect the body of a monkey to have the warmth and softness of a living being, but this one is solid with a core of hard resin. 

Oh’s sculptural practice has long sustained an intense dialogue between artist and material. His continuous exploration of non-traditional materials and their capacity to elicit emotion has included both domestic and industrial substances. He has experimented with resin, PVC, automotive paint, and polyethylene foam, alongside the ubiquitous stainless steel meal trays found in food courts to create intriguing forms and objects. Some have offered an unnerving impression of being close to toppling, unexpectedly immersed their viewer in vibrant colour, or prompted deeper readings of childhood items.

Throughout his sculptural practice Oh has created a variety of animal forms that have metaphorical or metaphysical implications. These works initially offer familiar characters, albeit oversized ones, brimming with impish allure but closer looking revels forms that slide between naivety and wisdom. Like the inflatables, these sometimes appealing sometimes unsettling animal forms offer a thrillingly contradictory experience of nostalgic comfort and physical threat. Depictions of animals have been included in visual art since the beginning of time and are often thought of as the stuff of childhood, as cute and somehow sentimental. However, Oh approaches this whimsical territory from awry, previously presenting overbearing penguins, odd bird-egg combinations, and supersized mice perched on their hind legs into signifiers of something more. The innocence of his anthropomorphic sculptures reminds us of comforting childhood characters, but, as with other depictions of animals in art and literature, they also offer a reflection of the world and our own relationship to it.  

Oh is known for a practice that occupies, challenges, and interrupts physical spaces. These art works often explore an interplay between materials and movement. His inflatables float elegantly or define unnoticed architectural space, orchestrating relationships that were formally invisible. Oh’s new sculpture Huggong Monologue returns to the use of captured air to challenge and redefine space within the gallery.  For much of the history of Western sculpture the art form was solid and robust. Created from stone or metal and meant to both stand the test of time and express noble sentiment, the 20th century arrival of unconventional materials on three-dimensional art practice blew this understanding apart. 

Huggong Monologue introduces a soft element into the hard shell of Starkwhite’s architecture, the  exact form of the 100 metre long sculpture left to chance and intentionally only discovered upon inflation in the gallery. Likening the experience a time when the school-aged Oh let off a fire extinguisher in the classroom, he sought to again feel the adrenaline and sensation of simultaneous fear and joy the prank brought. Both control and out of control, this sculpture echoes that experience and offers it to the exhibition’s audience. The work’s reddish–pink hue remembers the colour experienced through the thin skin of closed eye lids, “The colour of when things are invisible. The bright darkness. Tubes of expansion, peripheral, translucent” Oh explains. Provoking tensions between hardness and softness, scale and association, and art and industry, Seung Yul Oh’s latest exhibition places animal forms in conversation with inflatables to create anti-monumental objects that challenge conventional notions of what sculpture can be and where it can exist.

Exhibitions

Past

Seung Yul Oh | Huggong-Monologue

09.07 - 13.08

Gerold Miller

01.06.22 - 02.07.22

Bill Henson | Selected Works

30.04.22 - 29.05.22

Layla Rudneva-Mckay | I Roll

15.02.22 - 19.03.22

Fiona Pardington | Tarota

16.11.21 – 18.12.21

Fiona Pardington | Tarota Preview

05.10.21 – 07.10.21

Jan van der Ploeg | The Other Window

17.08.21 – 12.10.21

Laith McGregor | Second Wind

03.07.21 – 07.08.21

Richard Maloy | Maternal Routine

03.06.21 - 19.06.21

Bill Henson | 1985-2021

21.05.21 - 19.06.21

Martin Basher | Birds of Paradise

13.04.21 - 14.05.21

Will Cooke | Every Wall Is A Door

15.01.21 - 13.02.21

Jonny Niesche | Poikilos

17.11.20 - 22.12.20

Gemma Smith | Thin Air

06.10.20 - 07.11.20

Whitney Bedford, Petra Cortright, Kirsten Everberg, Judy Legerwood | Slippery Painting

01.09.20 - 03.10.20

Jin Jiangbo, John Reynolds | Performative Geographies

14.07.20 - 15.08.20

Group Show | Sampler 2020

14.05.20 - 06.06.20

Gordon Walters | From the Archive

05.02.20 - 07.03.20

Richard Maloy | Studio: Space & Time

28.01.20 - 01.02.20

Rebecca Baumann | New Work

27.11.19 - 21.12.19

The Estate of L. Budd et al. | the artists in conversation

22.10.19 - 16.11.19

John Reynolds | The Art of Wine

14.10.19

Billy Apple® and Tāme Iti | Flagged

08.10.19 - 12.10.19

Clinton Watkins | binary

19.09.19 - 03.11.19

Yuk King Tan | Crisis of the Ordinary

21.08.19 - 14.09.19

Group Show | Sampler 2019

23.07.19 - 15.08.19

Fiona Pardington | TIKI: Orphans of Māoriland

12.06.19 - 11.07.19

Laith McGregor | AM/PM/AM

09.05.19 - 08.06.19

BILLY APPLE® is N=One

11.04.19 - 05.05.19

Ani O'Neill | Classic Hits

14.03.19 - 10.04.19

Alicia Frankovich | Microchimerism

08.02.19 - 06.03.19

Martin Basher | Untitled

24.01.19 - 02.02.19

The Estate of L.Budd_et al.

11.12.18 - 22.12.18, 02.01.19 - 12.01.19

Gavin Hipkins | Block Units

14.11.18 - 08.12.18

John Stezaker | Collages

09.10.18 - 03.11.18

Grant Stevens | The Mountain and the Waterfalls

01.09.18 - 29.09.18

Whitney Bedford | Bohemia

31.07.18 - 24.08.18

Seung Yul Oh | Horizontal Loop

26.06.18 - 28.07.18

Gordon Walters | From the Walters Estate

29.05.18 - 16.06.18

Group Show | Sampler 2018

17.04.18 - 26.05.18

Alicia Frankovich, Ani O’Neill, Estate of L Budd, et al | 125

13.03.18 - 07.04.18

Len Lye | Love Springs Eternal

07.02.18 - 07.03.18

Richard Maloy | Things I have Seen

22.12.17

Michael Zavros | The Silver Fox

17.11.17 - 16.12.17

John Reynolds | RocksInTheSky...

17.11.17 - 24.12.17

Martin Basher | Devil at the Gates of Heaven

10.10.17 - 04.11.17

Daniel von Sturmer | Luminous Figures

02.09.17 - 30.09.17

Martin Basher | Hawaiian Tropic

01.08.17 - 26.08.17

Fiona Pardington | Nabokov's Blues: The Charmed Circle

23.06.17 - 23.07.17

John Reynolds | FrenchBayDarkly…

17.05.17 - 17.06.17

Group Show | On the Grounds

02.03.17 - 08.04.17

Billy Apple® | Art Transactions

08.02.17 - 04.03.17

Gavin Hipkins, Jin Jiangbo, Danie Mellor | Beyond Landscape

17.11.16 - 17.12.16

Laith McGregor | Swallow the Sun

01.10.16 - 12.11.16

Matt Henry | Analogues

19.09.16 - 14.10.16

John Reynolds | WalkWithMe...

30.08.16 - 24.09.16

Daniel Crooks | Vanishing Point

03.08.16 - 27.18.16

Gavin Hipkins, Richard Maloy, Daniel von Sturmer | Material Candour

05.07.16 - 22.07.16

Layla Rudneva-Mackay | Running Towards Water

07.06.16 - 08.07.16

Fiona Pardington | 100% Unicorn

24.05.16 - 25.06.16

Clinton Watkins | lowercase

19.04.16 - 18.05.16

Whitney Bedford 2016 | Lost and Found

15.03.16 - 14.04.16

Fiona Clark | For Pink Pussycat Club as part of THE BILL

20.02.16 - 22.04.16

Alicia Frankovich | The Female has Undergone Several Manifestations

06.02.16 - 05.03.16

Fiona Pardington | The Popular Recreator

11.12.15 - 23.12.15

Gavin Hipkins | Block Paintings

04.11.15 - 05.12.15

Gordon Walters | Gouaches and a Painting from the 1950s

21.09.15 - 24.10.15

Fiona Pardington | Childish Things

12.08.15 - 19.09.15

Rebecca Baumann, Brendan Van Hek, Alicia Frankovich, Len Lye, László Moholy-Nagy and Grant Stevens | In Motion

10.07.15 - 08.08.15

Grant Stevens | Hold Together, Fall Apart

07.07.15 - 02.08.15

Laith McGregor | Somewhere Anywhere

02.06.15 - 04.07.15

Arnold Manaaki Wilson, Billy Apple® | TOTEM | curated by Mary Morrison

01.05.15 - 30.05.15

Martin Basher | Jizzy Velvet

03.02.15 - 14.03.15

John Reynolds | BLUTOPIA

19.12.14

Seung Yul Oh | memmem

31.10.14 - 06.12.14

Gavin Hipkins | Erewhon

31.10.14 - 29.11.14

Rebecca Baumann | Once More With Feeling

19.09.14 - 18.10.14

Michael Zavros | Bad Dad

02.06.14 - 28.06.14

THE ANALYSIS OF BILLY APPLE®

05.05.14 - 10.05.14

Jin Jiangbo, Stella Brennan, Billy Apple, Trenton Garratt, Seung Yul Oh, John Reynolds, Layla Rudneva-Mackay, Jim Speers, Yuk King Tan and Wang Dawei | SIGNALS

08.08.14 - 13.09.14

Layla Rudneva-Mackay | Blue Squares, Purple Pairs

17.03.14 - 12.04.14

Group Show | Lovers | Curated by Martin Basher

06.02.14 - 06.03.14

Glen Hayward | I don't want you to worry about me

06.12.13 - 31.01.14

Matt Henry | High Fidelity

16.11.13 - 14.12.13

Li Xiaofei | Assembly Line - Entrance

03.10.13 - 26.10.13

Richard Maloy | All the things I did

04.09.13 - 30.09.13

John Reynolds | Vagabondage

22.08.13 - 21.09.13

Clinton Watkins | Frequency Colour

25.07.13 - 16.08.13

BAZINGA! curated by Robert Leonard

11.05.13 - 08.06.13

Whitney Bedford | This for That

09.04.13 - 04.05.13

Jin Jiangbo | Rules of Nature

08.03.13 - 04.04.13

Martin Basher | Solo Exhibition

05.02.2013 - 02.03.13

Ross Manning | Field Emissions

29.11.12 - 22.12.12, 15.01.13 - 22.01.13

Seung Yul Oh | HUGGONG

23.10.12 - 17.11.12

Jae Hoon Lee | Antarctic Fever

18.09.12 - 13.10.12

Greetings from Los Angeles: Eight Artists | Curated by Brian Butler

10.07.12 - 06.08.12