News
Alicia Frankovich in ‘Entanglements: Ecology After Nature’ at UQ Art Museum, Brisbane, Australia, 18 Feb 2025 – 14 June 2025
Alicia Frankovich , Atlas of Anti-Taxonomies, 2019 - 2022, 16 dye-sublimation prints on PVC backlit polyester

Alicia Frankovich in ‘Entanglements: Ecology After Nature’ at UQ Art Museum, Brisbane, Australia, 18 Feb 2025 – 14 June 2025

Alicia Frankovich in ‘The Charge That Binds’ at the Australian Centre for Contemporary Art, Melbourne, AU, 07 Dec 2024 – 16 Mar 2025
Izabela Pluta, Ocean Current 1, 2019 (detail)
Courtesy the artist and Gallery Sally Dan Cuthbert, Sydney

Alicia Frankovich in ‘The Charge That Binds’ at the Australian Centre for Contemporary Art, Melbourne, AU, 07 Dec 2024 – 16 Mar 2025

Whitney Bedford, ‘The Window’, San Luis Obispo Museum of Art, Oct 26 2024 – Feb 16 2025
Whitney Bedford, Veduta (Bonnard The Terrace) Diptych, 2024
Ink and oil on linen on panel, Diptych Overall: 90"h x 180"w x 2"d
Photo credit: Evan Bedford

Whitney Bedford, ‘The Window’, San Luis Obispo Museum of Art, Oct 26 2024 – Feb 16 2025

Jonny Niesche in ‘Arriving Slowly: Exploring the Abstract’ at Ipswich Art Gallery, Queensland, AU, 17 Nov 2024 – 16 Feb 2025
Jonny Niesche, Feeling the way (in your image) , 2024, Voile, acrylic mirror and MDF

Jonny Niesche in ‘Arriving Slowly: Exploring the Abstract’ at Ipswich Art Gallery, Queensland, AU, 17 Nov 2024 – 16 Feb 2025

“Is Collaboration the Way Through? 1301SW to Open Its Second Gallery in Sydney” Ocula Magazine 
Lime and limpid green, a second scene (Part One), 1301SW, Melbourne (exhibition view)

“Is Collaboration the Way Through? 1301SW to Open Its Second Gallery in Sydney” Ocula Magazine 

Laith McGregor, <em>Untitled Support (1), </em>Winner of 2024 Jacaranda Acquisitive Drawing Award (JADA)
Laith McGregor, Untitled Support (1), 2024, Sculptural charcoal drawing

Laith McGregor, Untitled Support (1), Winner of 2024 Jacaranda Acquisitive Drawing Award (JADA)

Jonny Niesche, Mikala Dwyer and Jelena Telecki featured in Artspace’s inaugural 2024 Benefit Auction, 20 Sep – 27 Sep
Jonny Niesche, ‘Blood moon haze’ (2022),
Voile, acrylic mirror and MDF, 75 x 60 x 9 cm

Jonny Niesche, Mikala Dwyer and Jelena Telecki featured in Artspace’s inaugural 2024 Benefit Auction, 20 Sep – 27 Sep

Ani O’Neill, John Reynolds, and Gordon Walters in ‘Lyrics and Lines’ at Te Atamira, Queenstown, Sept 28 2024 – Feb 9 2025
John Reynolds installing site-specific wall painting at Te Atamira, Queenstown for Lyrics and Lines

Ani O’Neill, John Reynolds, and Gordon Walters in ‘Lyrics and Lines’ at Te Atamira, Queenstown, Sept 28 2024 – Feb 9 2025

Seung Yul Oh ‘Orbit’ at 101 Collins Street Evolution (VIC), Curated by Emily Cormack, Winner of Best Public Art Project 2024 
Seung Yul Oh, Orbit, 2023, High mirror-polish bronze infinity symbols, 6.5m high,
Installation view 101 Collins Street, Victoria

Seung Yul Oh ‘Orbit’ at 101 Collins Street Evolution (VIC), Curated by Emily Cormack, Winner of Best Public Art Project 2024 

Coen Young, 1301SW at The Armory Show,       05 – 08 Sep 2024
Coen Young, The Armory Show, 2024 (installation view)

Coen Young, 1301SW at The Armory Show, 05 – 08 Sep 2024

Mary Morrison discusses Billy Apple, ‘Progressives and Other Self-Portraits’ on 95bFM
Billy Apple®, Horizontal Progressive (Apple Sees Red on Green), 1963
Offset colour photo-lithography on primed canvas, 112h x 94w cm

Mary Morrison discusses Billy Apple, ‘Progressives and Other Self-Portraits’ on 95bFM

Leonard Bell discusses Marti Friedlander, Starkwhite Queenstown, 5pm, 14 Sept 2024
Marti Friedlander, Tūrangawaewae Marae Jubilee 1971,
Vintage silver gelatin print, 52.5h x 56.3w cm framed

Leonard Bell discusses Marti Friedlander, Starkwhite Queenstown, 5pm, 14 Sept 2024


Associate Professor Leonard Bell from the University of Auckland’s art history department will give a talk on Marti Friedlander to round off the exhibition ‘Starting Point of a Complicated Story’. Bell is an expert on Friedlander’s photography and the author of several key publications about her practice. Join us at Starkwhite Queenstown, 1 Earl Street, 5pm on Saturday 14 September.

“Sydney Contemporary 2024: Six Directors Introduce Their Booths” Ocula Magazine
Lewis Fidock and Joshua Petherick, Sleeve I, 2017
PVC, modelling clay, ultracal, steel mesh, coated wire, acrylic paint, raw pigment, metallic paint,
textured effect, solvent based dye-oxide, satin varnish, archival varnish
22h x 142w x 28d cm

“Sydney Contemporary 2024: Six Directors Introduce Their Booths” Ocula Magazine

1301SW / STARKWHITE at Sydney Contemporary 2024, 05.09 – 08.09
Jonny Niesche, Seeing becomes being, (Square sound compound) 2024,
Voile, powder coated aluminium, mirror polished steel
150 x 300 x 3.5 cm (overall), two parts 150 x 150 x 3.50 cm each

1301SW / STARKWHITE at Sydney Contemporary 2024, 05.09 – 08.09

Mikala Dwyer, 1301SW, ‘Continuum’ at the new underground Sydney Metro Martin Place Station, AU
Mikala Dwyer Continuum 2024, Möbius suspended sculpture, polished stainless steel, 6.4m x 2m

Mikala Dwyer, 1301SW, ‘Continuum’ at the new underground Sydney Metro Martin Place Station, AU

Jonny Niesche, Michael Zavros, Bill Henson, Laith McGregor at the Institute of Modern Art, Gala and Benefit Auction, 13 August 2024
Jonny Niesche Koolmint (Hologram) 2024, voile, MDF, silver acrylic mirror, 111 x 86 x 9cm

Jonny Niesche, Michael Zavros, Bill Henson, Laith McGregor at the Institute of Modern Art, Gala and Benefit Auction, 13 August 2024

Richard Maloy, Ani O’Niell, Yuk King Tan and Clinton Watkins in ‘Generation X’ at the Museum of New Zealand Te Papa, 27 July – 20 October 2024
Yuk King Tan Evolutionary Revolutionary 2006, tassles on mask. Chartwell Collection, Auckland Art Gallery o Tāmaki

Richard Maloy, Ani O’Niell, Yuk King Tan and Clinton Watkins in ‘Generation X’ at the Museum of New Zealand Te Papa, 27 July – 20 October 2024

Leonard Bell discusses Marti Friedlander, Starkwhite Auckland, 3 August 2024
Marti Friedlander Starting Point for a Complicated Story Installation view, Starkwhite, Auckland

Leonard Bell discusses Marti Friedlander, Starkwhite Auckland, 3 August 2024


Please join us 3.00 – 5.00pm Saturday 3 August at Starkwhite Auckland as Leonard Bell discusses Marti Friedlander alongside our current show, Marti Friedlander ‘Starting Point of a Complicated Story.’ 
Leonard Bell will share his insights and personal recollections, adding richly to the visual story of Friedlander’s iconic images.

DIO Night of Art, 9 August 2024
Fiona Pardington Te Rapurapu, Kiwi, South Canterbury Museum, 2024,
Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass, 176h x 140w cm

DIO Night of Art, 9 August 2024


We are delighted to be supporting Diocesan School for Girls upcoming Night of Art fundraiser, 6.30pm Friday 9 August, featuring the work of over 100 artists. Gallery artists Fiona Pardington, Jonny Niesche, Gordon Walters, Marti Friedlander and Seung Yul Oh will be contributing key works, in many cases from sold-out editions and wait listed works that will only be available through Night of Art.

Billy Apple and Ann Veronica Janssens in ‘Cloudwalker’ at Museum Voorlinden, Wassenaar, NL, 13 Apr 2024 – 19 Jan 2025
Billy Apple® Double Rainbow, 1964,
Eight-coloured 12 mm clear and fluorescent glass tubing pumped with argon/neon/mercury gas, two parts, 171 x 154 x 15 cm, 67 3/8 x 60 5/8 x 5 7/8 inches
Collection Museum Voorlinden, Wassenaar, The Netherlands
Photo: Antoine van Kaam

Billy Apple and Ann Veronica Janssens in ‘Cloudwalker’ at Museum Voorlinden, Wassenaar, NL, 13 Apr 2024 – 19 Jan 2025

Seung Yul Oh Artist Talk, Starkwhite Queenstown, 6 Jul 2024
Seung Yul Oh, Soaring Excavation, 2024
Oil on linen, 50h x 72.20w cm

Seung Yul Oh Artist Talk, Starkwhite Queenstown, 6 Jul 2024


Please join us as artist Seung Yul Oh talks about his new direction in painting within the exhibition Beyond Forward at Starkwhite Queenstown.⁠

Beyond Forward examines concepts of depth, perspective, and translucency in paint. Some works are otherworldly with uncertain perspective and compositional depth. Others offer a more dense surface with bold, undisguised brushstrokes and high-keyed, vibrant colour palette.⁠ Join Seung as he talks about painting and unpacks the Western and Korean influences on his work. 

 

Fiona Pardington’s ‘Te taha o te rangi’ at Aigantighe Art Gallery, Timaru, 14 Jun – 04 Aug 2024
Fiona Pardington, Lovers, Timaru, South Canterbury Museum, 2024
Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding, 176h x 140w cm

Fiona Pardington’s ‘Te taha o te rangi’ at Aigantighe Art Gallery, Timaru, 14 Jun – 04 Aug 2024

Fiona Pardington at Intercontinental Hotel, Auckland

Fiona Pardington at Intercontinental Hotel, Auckland


A significant body of work by Fiona Pardington, commissioned by art consultants @couplandcormackart, can be seen across guest rooms and prestige hospitality spaces at Auckland’s first 5-star Intercontinental Hotel.

Alicia Frankovich ‘And this time the Well Is Alive’ at Gertrude Contemporary, Melbourne, AU, 17 Aug – 13 Oct 2024
Alicia Frankovich, Blow up (deployed Tesla Air bag), 2023-24
Deployed Tesla air bag, motor, timer, steel box, galvanised steel, dimensions Variable
Installation view, 1301SW, Melbourne

Alicia Frankovich ‘And this time the Well Is Alive’ at Gertrude Contemporary, Melbourne, AU, 17 Aug – 13 Oct 2024

Michael Zavros in ‘Namedropping’ at the Museum of Old and New Art, Hobart, AU, 15 Jun 2024 – 21 Apr 2025
Michael Zavros, The New Round Room, 2010-12
Oil on canvas, 210h x 170w cm

Michael Zavros in ‘Namedropping’ at the Museum of Old and New Art, Hobart, AU, 15 Jun 2024 – 21 Apr 2025

‘I wanna be your anti-mirror’ curated by Alicia Frankovich at La Trobe Art Institute, Bendigo AU <br/>23 May – 18 August 2024
Rachelle Koumouris, silly monkey, 2023
Hubcaps with aluminium, wax, adhesive, nail polish Image courtesy of the artist

‘I wanna be your anti-mirror’ curated by Alicia Frankovich at La Trobe Art Institute, Bendigo AU
23 May – 18 August 2024

Ani O’Neill with Pacific Sisters in ‘Ten Thousand Suns’ 24th Biennale of Sydney, Art Gallery of NSW <br/>9 Mar – 10 Jun 2024
Feeona Clifton and Ani O’Neill from Pacific Sisters
at the Art Gallery of New South Wales for the 24th Biennale of Sydney 2024.
Photo credit: Dan Boud

Ani O’Neill with Pacific Sisters in ‘Ten Thousand Suns’ 24th Biennale of Sydney, Art Gallery of NSW
9 Mar – 10 Jun 2024

Fiona Pardington in ‘sis Pacific Art 1980-2023’ at Queensland Art Gallery | Gallery of Modern Art, Brisbane, AU <br/>26 Aug 2023 – 25 Aug 2024
Fiona Pardington, Portrait of a life cast of Matoua Tawai, Aotearoa New Zealand, 2010
Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding, 176h x 140w cm

Fiona Pardington in ‘sis Pacific Art 1980-2023’ at Queensland Art Gallery | Gallery of Modern Art, Brisbane, AU
26 Aug 2023 – 25 Aug 2024

Alicia Frankovich artist panel discussion for ‘Precarious Movements: Choreography and the Museum’ book launch at NGV, Melbourne AU<br/> 10:30am-2pm, 16 Mar 2024
Alicia Frankovich, Precarious Movements: Choreography and the Museum, 2024
Jacketed paperback, 24 x 18 cm, 232 pages
Published by National Gallery of Victoria

Alicia Frankovich artist panel discussion for ‘Precarious Movements: Choreography and the Museum’ book launch at NGV, Melbourne AU
10:30am-2pm, 16 Mar 2024

“What Are Galleries Showing at Melbourne Art Fair 2024?” Ocula Magazine
Jelena Telecki, After Chinard, 2021
Oil on linen, 51h x 61w cm
Courtesy the artist and 1301SW, Melbourne

“What Are Galleries Showing at Melbourne Art Fair 2024?” Ocula Magazine

“8 Things to see at Melbourne Art Fair 2024” <br/>Vogue Australia
Jonny Niesche, Sea Lace Light Bloom, 2023
Voile, powder coated aluminium, mirror polished, 150h x 150w x 3.5d cm

“8 Things to see at Melbourne Art Fair 2024”
Vogue Australia

New Publication: Bill Henson ‘The Liquid Night’
Bill Henson, The Liquid Night, 2023
Embossed Hard Back, 29.5 x 29.5 cm, 120 pages
Published by STANLEY/BARKER

New Publication: Bill Henson ‘The Liquid Night’

“The images in Bill Henson’s cinematic new book The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989. They present a kaleidoscopic, nocturnal journey through the frenetic, neon-lit streets of a long-lost America.”

– Peter Craven

Contact Starkwhite to secure your copy, limited stock available.

Alicia Frankovich ‘Spaces of Life’ at 1301SW<br/> 03 Feb – 09 Mar 24
Alicia Frankovich T-E-S-L-A- crash face dummy I, 2023-24
Deployed Tesla air bag, epoxy glass resin, aluminium TIG rods 57 x 59 x 21.30 cm

Alicia Frankovich ‘Spaces of Life’ at 1301SW
03 Feb – 09 Mar 24

Gerold Miller awarded The Helmut Kraft Foundation Prize for Fine Arts, presented at Kunstmuseum Singen, DE
Gerold Miller, instant vision 221, 2022
Lacquered aluminium, 125 × 125 × 6.8 cm

Gerold Miller awarded The Helmut Kraft Foundation Prize for Fine Arts, presented at Kunstmuseum Singen, DE

Next Page »