Australian artist Laith McGregor’s practice spans drawing, painting, sculpture, and video, all mediums which enable his ongoing exploration of the grey area between real and illusion. McGregor evokes the curious and fictitious at every turn. Standing somewhere between the real and the subconscious, his practice takes shape with narratives borrowed from of film, literature, folktales, and lived experience. Blending the fictional and the real, characters and plot lines from these spaces come to life, cementing themselves into his personal language as motifs circulate through the body of work.
Laith McGregor’s celebrated drawings are intricate, fashioned by finely modulated mark-making using pencil or sometimes ball point pen. For him, creating a line is always the starting point for exploration within his wider practice, an expression of his belief that drawing is a fundamental form of human expression. He explains ‘The line as a symbolic gesture dates back to our primitive origins and has filtered into the fabric of everyday life. A primal instinct, the line is used to map, guide, express and converse, it is an immediate action that bridges consciousness.’ McGregor’s inquiry into the grey area between real and unreal has led the artist to a study of intuitive mark-making and the use of the subconscious as a means to guide, express, and perform spontaneous line-form arrangements and compositions. While drawing is the fundamental tenet of his practice McGregor engages with a range of materials, exhibitions often presenting traditional practice alongside found sculpture and residues from his studio.
A direct and personal exchange with his audience is characteristic of McGregor’s work. Pithy titles add to a practice that has explored various themes including the self, masculinity and the experience of living between two cultures. Peep holes, or voids, recur continuously, sometimes as devices through which to look at another piece, or as negative spaces that give the suggestion of eyes in otherwise non-figurative art works.
McGregor has exhibited widely throughout Australia & overseas, most recently in public institutions, commercial galleries & artist run spaces including: Museum of Contemporary Art (NSW), GOMA (QLD), MONA (TAS), The National Gallery of Victoria (VIC), Heide Museum of Art (VIC), Institute of Modern Art (QLD), The Art Gallery of South Australia (SA), University of Queensland Art Museum (QLD), City Gallery Wellington (NZ), KALIMANRAWLINS (VIC), Sullivan & Strumpf (SYD), Ryan Renshaw Gallery (QLD), Westspace (VIC) & TCB (VIC).
SOLO EXHIBITIONS
2024
step or stone, breath or bone, Station, Melbourne, AU
2023
Pace & Space, Tripoli Gallery, NY, US
2022
Radix, Station, Sydney, AU
2021
Rock-rolling and other pastimes (or learning to bear an irresolvable emptiness), La Trobe Art Institute, Bendigo, AU
Second Wind, Starkwhite, Auckland, NZ
Rhythm & Motion, Lone Goat Gallery, Byron Bay, AU
Tall Tale, STATION, Melbourne, AU
2019
Archipelago, STATION, Melbourne, AU
Sympathetic Magic, STATION, Melbourne, AU
2018
New Work, Michael Reid, Berlin, DE
Borrowed Time, Caloundra Regional Gallery, Caloundra; Tweed Regional Gallery, Murwillumbah, AU
2017
Open Studio, HIAP Helsinki, FI
Sleepless Parley, STATION, Melbourne, AU
S-O-M-E-O-N-E Book Launch/Exhibition, Gallery of Modern Art, Brisbane, AU; Gertrude Contemporary Glasshouse, Melbourne, AU; Starkwhite, Auckland, NZ
2016
S.plit F.ollow,
Long Division Gallery, Melbourne, AU
Swallow the Sun, Starkwhite, Auckland, NZ
NOONISMIDNIGHT, STATION, Melbourne, AU
2015
Pulau, The Young, Wellington, NZ
Somewhere Anywhere, Starkwhite, Auckland, NZ
2014
SOS, Ryan Renshaw Gallery, Brisbane, AU
Heady, STATION, Melbourne, AU
Storyteller, The Australian Print Workshop, Melbourne, AU
2013
Animal, Sullivan + Strumpf, Auckland Art Fair, Auckland, NZ
Nigh Night, KALIMANRAWLINS, Melbourne, AU
2012
Someone, KALIMANRAWLINS, Melbourne, AU
Untitled (Don Patterson), Studio 12, Gertrude Contemporary, Melbourne, AU
Ohne Titel (Them Listless From from Apocryphal), Sullivan+Strumpf, Sydney, AU
2011
Spook, Ryan Renshaw Gallery, Brisbane, AU
Pong Ping Paradise, West Space, Melbourne, AU
Maturing, Night Projection Window, Art Gallery of Ballarat, Ballarat, AU
2010
Moontown, Sullivan+Strumpf Fine Art, Melbourne Art Fair, Royal Exhibition Building, Melbourne, AU
William Jolly Bridge Projection, Museum of Brisbane, Brisbane, AU
Inland Sea Shanty, Sullivan+Strumpf, Sydney, AU
Inland Sea Shanty, Centre Intermondes, La Rochelle, FR
Maturing and Matured, SQUARE2, City Gallery Wellington, Wellington, NZ
2009
Based on a True Fable, Sullivan+Strumpf, Sydney, AU
So it Goes, Helen Gory Gallery, Melbourne, AU
2008
Shape It Any Way You Like, TCB Gallery, Melbourne, AU
2006
Goodbye tata, Helen Gory Galerie, Melbourne, AU
2005
Satire, Alliance de France, Melbourne, AU
Selected Group Exhibitions
GROUP EXHIBITIONS
2023
Love Ranch, Tripoli Gallery, NY, US
18th Annual Thanksgiving Collective: A Paleolithic Age, Tripoli Gallery, NY, US
2022
Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, AU
J+1, Jarmuschek + Partner, Berlin, DE
2021
Geelong Contemporary Art Prize, Geelong Gallery, Geelong, AU
Thin Grey Line – Contemporary Drawing, Mornington Peninsula Regional Gallery, AU
2018
Trace, Bunjil Place Gallery, Narre Warren, AU
Paul Guest Prize, Bendigo Art Gallery, Bendigo, AU
Beyond Reason: exploring the logic of the imagination, QUT Art Museum, Brisbane
Art Los Angeles Contemporary 2018, with Starkwhite, Los Angeles, US
2017
75 Works on Paper, BEERS London, UK
Out of the ordinary, Art Gallery of New South Wales, Sydney, AU
Sydney Myer Fund Australian Ceramic Award Exhibition, Shepparton Art Museum, Shepparton AU
GIFC w 0-0 LA, Art Athena, Athens, GR
Group Show, Darklands at Alaska Projects, Sydney, AU
Art Los Angeles Contemporary, with Starkwhite, Los Angeles, US
2016
Prints at Large, Australian Print Workshop, Melbourne, AU
Got it for Cheap, Monk Space, Los Angeles, US
Got if for Cheap Vol 2, David Risley Gallery, Copenhagen, DK
Got if for Cheap Vol 3, Steinsland Berliner Gallery, Stockholm, SE
Got if for Cheap Vol 4, Agnes B’s Gallerie du Jour, Paris, FR
2015
Spring 1883, with STATION, The Establishment Hotel, Sydney, AU
Installation Contemporary, Curators Department, Sydney Contemporary, Sydney, AU
Sydney Contemporary, with Starkwhite, Sydney, AU
Out of line, Merry Karnowsky Gallery, Los Angeles, US; KP Projects/MKG, Los Angeles, US
Australian Artists in Bali: 1930s till now, McClellan Gallery, Langwarrin, AU
2014
Lying in Space, 30Upstairs, Wellington NZ
Group Show, Paulnache, Gisborne, NZ
The Extreme Climate of Nicholas Folland, Art Gallery of South Australia, Adelaide, AU
Liminal Narratives, Bayside Art & Culture Centre, Melbourne, AU
Interrobang, No Vacancy Gallery, Melbourne, AU
Conquest of Space: Science Fiction & Contemporary Art, Galleries UNSW, Sydney, AU
Ready Player One, Station, Melbourne, AU
2013
The Red Queen, Museum of New & Old Art, Hobart, AU
Speak to Me’, Sullivan+Strumpf, Sydney, AU
Melbourne Now, National Gallery of Victoria, Melbourne, AU
Hair Show, Compound Gallery, Portland, US
2012
Newcastle Art Gallery (touring nationally), AU
Funeral Songs, MONA, Tasmania, AU
Gertrude Contemporary Studio Artists’ Exhibition, Gertrude Contemporary, Melbourne, AU
National Works on Paper Prize, Mornington Peninsula Regional Gallery, Mornington Peninsula, AU
Like, Casula Powerhouse, Sydney, AU
Animal/Human, University of Queensland Art Museum, Univerisity of Queensland, Brisbane, AU
SSFA12, Sullivan+Strumpf, Sydney, AU
2011
Gertrude Contemporary Studio Artists’ Exhibition, Gertrude Contemporary, Melbourne, AU
Pat Corrigan/Collector, Maitland Art Gallery, Maitland, AU
Korean International Art Fair, Sullivan+Strumpf, COEX Convention and Exhibition Centre, Seoul, SK
Artist’s Self Portrait Prize, University of Queensland Art Museum, University of Queensland, Brisbane, AU
Physical Video, Queensland Art Gallery, Gallery of Modern Art, Brisbane, AU
New Psychedelia, University of Queensland Art Museum, Brisbane, AU
SSFA11, Sullivan+Strumpf Fine Art, Sydney, AU
2010
Rick Amor Drawing Prize – finalist, Art Gallery of Ballarat, Ballarat, AU
2009
Emerging Artist New Work Grant, Australia Council for the Arts, AU
Royal Bank of Scotland Emerging Artist Award – Finalist, Sydney, AU
Qantas Foundation Encouragement of Australian Contemporary Art Award – Winner, AU
Centre Intermondes Residency, La Rochelle, FR
Elizabeth and Keith Murdoch Travelling Fellowship – finalist, Melbourne, AU
Wilson HTM National Art Prize – Finalist, Melbourne, AU
2008
Robert Jacks Drawing Prize – Winner, Bendigo Art Gallery, Bendigo, AU
RIPE: Art & Australia/ANZ Private Bank Contemporary Art Award – Shortlisted, AU
The New Fresh Cut, Exhibition and development grant, Institute of Modern Art, Brisbane, AU
2007
VCA Award, Drawing Master Class, with Greg Creek, AU
Tania Brougham Award, Victorian College of the Arts, University of Melbourne, AU
2006
National Gallery Women’s Association Award, University of Melbourne, AU
2000
Golden Key National Honours Society
CURATORIAL PROJECTS
2006
Draw 4, Viewing Space, Melbourne, AU
Thinning Distance, Spectrum Project Space, Perth, AU
COLLECTIONS
Artbank, Sydney and Melbourne, AU
Art Gallery of Ballarat, Ballarat, AU
Art & Australia Collection, Sydney, AU
Australian Print Workshop, Melbourne, AU
Monash University Museum of Art, Melbourne, AU
Museum of Contemporary Art, Sydney, AU
Museum of Old and New Art, Hobart, AU
National Gallery of New South Wales, Sydney, AU
National Gallery of Victoria, Melbourne, AU
The Art Gallery of Australia, Canberra, AU
Newcastle Region Art Gallery, Newcastle, AU
Queensland Art Gallery, Gallery of Modern Art, Brisbane, AU
University of Queensland Art Museum, Brisbane, AU
The Art Gallery of South Australia, Adelaide, AU
Joyce Nissan Collection, Melbourne, AU
Private Collections, Australia and International