Artfairs

Art Los Angeles Contemporary 2020

Starkwhite will present the work of Rebecca Baumann, Jonny Niesche, and Gemma Smith at Art Los Angeles Contemporary from 13-16 February 2020. Uniting these three Australian artists is an abiding interest in the interrelationships between form, colour, light, movement, and time.

The intimate relationship between colour and emotion is joined by movement and time as critical factors in Rebecca Baumann’s practice. Her art works are never still. They ripple, flip, or burst in visually demonstrative examples of the passing of time. Often working with simple mechanisms, Baumann attempts to manipulate and programme the action to a certain point, then let the materials take over. Baumann’s new kinetic works are created using flip-dot display, an electro-magnetic signage originally created for the stock market. As the early technology audibly flips and alters, colour constellations and automatic drawings form. Stripping this outdated technology of its function, the artist has reimagined it as a choreography where control gives way to movement and unexpectedly still intervals, the chance configurations of colour and pattern feeding anticipation for what comes next. In action the works feels like a code or pulse is being transmitted, one communicated in colour, sound, and motion.

The seductive, iridescent surfaces of Jonny Niesche’s works hum and shimmer with pigment, colour that seems to float slightly above the voile surface. The effect is intensified by the indistinct edges between bands of colour that surround the dark middle ground. As one tone blurs and dissolves into the next, a silky insubstantiality of pure colour and sensation emerges. Niesche has long worked with the intrinsic relationship between colour, form and light to produce formal and optically charged works that challenge our perception of space. His is a body of work that draws on formal elements from twentieth-century art and the shiny allure of popular culture. Neiche’s paintings offer a transformative formal beauty that is beguiling. The glowing neon tones and soft pastels that flow from a mysterious dark centre are finished with reflective gold rims, mirroring the viewer back to his or her self in a surprising encounter with the art work. These enticing colour fields and Neiche’s sculpture offers shifting, sensory experiences of reflection, transparency, and movement.

Gemma Smith’s practice is a journey of experimentation with colour. Her work takes the form of both painting and sculpture, known for its reworking of abstract codes and styles, the testing of colour and form, and formal and improvised gestures. Fittingly for a practice exploring colour theory, her colour choices are precise, although not always vibrant. In these works she has created a very pale surface, attempting to use barely any colour. Smith adds the smallest amount of pigment, then spreads it out thinly as if it were wet cement, attempting to eliminate brushstrokes. Working in layers, often up to six layers on a canvas, she increases or decreases the amount of pigment in each area so as to balance the work compositionally over the whole canvas. The works’ delicately-hued surfaces offer soft and ambiguous shifts in tone, furthering Smith’s ongoing exploration of pictorial depth and the perception of volume and depth through the arrangement of colour. “Perceiving colour is like exercising a muscle that is enhanced by use. I feel that one can become attuned to perceiving colour in a more nuanced way,” says Smith.

After nine years in Santa Monica, this year’s edition of Art Los Angeles Contemporary will be held at the Hollywood Athletic Club on Sunset Boulevard. The Club was founded in 1924 by Charlie Chaplin and designed by architects Myer & Holler. It was frequented by celebrities like Mae West, Groucho Marx, John Ford, Jean Harlow, Howards Hughes and Joan Crawford, and has played host to many notable events including the first-ever Emmys in 1949, the premiere of Quentin Tarantino’s Kill Bill in 2003 and now the 11th edition of Art Los Angeles Contemporary. This will be Starkwhite’s 6th participation in the fair.

We are also pleased to announce Jonny Niesche and Gemma Smith are now represented by Starkwhite.

Artfairs

Past

The Auckland Art Fair 2021

24.02 - 28.02

The Armory Show 2010 | 1001 Nights
an installation by John Reynolds

Art LA Contemporary 2010

ShContemporary 2008 | Gavin Hipkins, Hye Rim Lee, Jae Hoon Lee and Grant Stevens

Sydney Contemporary Presents 2020

Sydney Contemporary 2018

Auckland Art Fair 2018

Auckland Art Fair Projects - Billy Apple®

Auckland Art Fair 2018 - Soap Box Symposium

Art Basel Hong Kong 2018

Art Los Angeles Contemporary 2018

Dialogues | London Art Fair 2018 | P18a

Sydney Contemporary 2017

Video Contemporary | Sydney Contemporary 2017

Art Basel Hong Kong Film 2017

VIRTUAL FAIR - Auckland Art Fair

Art Basel Hong Kong 2017

Art Los Angeles Contemporary 2017

Auckland Art Fair 2016

Auckland Art Fair | Projects Programme 2016

Art Basel Hong Kong 2016 | Encounters

Art Basel Hong Kong 2016

MICHAEL ZAVROS | ART LOS ANGELES CONTEMPORARY

Sydney Contemporary 2015

Installation Contemporary Sydney Contemporary 2015

Art Basel Hong Kong 2015 | Michael Zavros

Art Basel Hong Kong 2020

Art Stage Singapore 2015 | Grant Stevens

Melbourne Art Fair 2014 | Michael Zavros

Art Basel Hong Kong 2014, Encounters | Rebecca Baumann

Art Basel Hong Kong 2014 | Gordon Walters

Auckland Art Fair 2013

Sydney Contemporary 2013

Sydney Contemporary | Video Contemporary 2013 Grant Stevens | Clinton Watkins

Sydney Contemporary | Installation Contemporary 2013

Art Basel Hong Kong 2013 | Billy Apple

The Armory Film March 2012 | Gavin Hipkins This Fine Island

Art Basel Hong Kong 2020 - Encounters

The Armory Show 2012 | Martin Basher

Melbourne Art Fair 2012

Art Hong Kong 2012 | Jin Jiangbo

Art Hong Kong 2011

Art Beijing 2010 | Whitney Bedford, Jin Jiangbo and John Reynolds

Art Hong Kong 2010

ART Hong Kong 2009 | John Reynolds

Art Los Angeles Contemporary 2020

Art Basel 39 | Art Unlimited 2008 | et al

Art Basel 39 2008 | Art Statements | Dane Mitchell: Conjuring Form

Performative Geographies

Sydney Contemporary 2019

Auckland Art Fair

Art Basel Hong Kong, 29 - 31 March 2019, Booth 1C03

Art Los Angeles Contemporary 2019