Artfairs

The Armory Show 2010 | 1001 Nights
an installation by John Reynolds

Starkwhite will present 1001 Nights an installation by John Reynolds at The Armory Show, NY from 4 – 7 March 2010

Reynolds’ new work embraces 1001 Nights as a point of departure. Folding stories within stories, Arabian Nights tracks, among other things, the somnolence of daily life toward a contemplation of fate and destiny. These life-preserving stories offer a rich poignancy in today’s context.

Reynolds charts a pungent bricolage of contemporary and historical material from literary, political, philosophical, and art sources to create a text-driven yet visual ‘Harem of the Mind’. Like a ‘dance craze or a charismatic cult’, the sprawling tale of 1001 Nights has mesmerized readers with its melding of tragedies, love stories, comedies, burlesques, erotica, and geographies.

He sees the appeal of stories emerging from Baghdad over ten centuries ago as a timely framework on which to explore a shifting and perilous present. He goes about his work plundering fragments from such diverse contemporary commentary as Tariq Ali on ‘Saudi Oil’, David Simpson on ‘America, Abu Ghraib and the War on Terror’, Stephen Holmes on ‘Neo-Con Futurology’, and J. Daniel Hays on ‘Iraq: Babylon of the End-Times. He ranges across Richard Burton, Marina Warner, Walt Disney, and Naomi Klein, to Calvino, Edgar Allen Poe, Flaubert and Rushdie. Also Edward Said, Aristophanes, and Sean Maguire with the US Marine Corps.

Reynolds says: “1001 Nights comes out of an unpicking of books, articles and texts for terminologies, for acronyms, vocabularies and lists, for songs, place-names, poems, indexes and glossaries from pre-Islamic Persia to the Green Zone, Scheherezade to Stormin’ Norman, Babylon to Bushland, Sinbad the Sailor to Cyber-Jihad.”

Visually this work unravels in the form of an installation of 1001 small canvases consisting of hand drawn silver text on black grounds punctuated with a series of flaring metallic nocturnal paintings. Conversely this ‘meaning made of fragments’ may further multiply, heap and pile, shaping a ruin of plundered language stacked like a soft ziggurat. Obscuring, revealing, forlorn.

John Reynolds lives and works in Auckland, New Zealand. Over the past three decades he has established a reputation as a painter who employs aspects of drawing (sketches, plans, charts, doodles) and different types of representation (expressive marks, symbols, patterns, writing) for poetic effect. Not content to be pigeonholed as a painter, he also incorporates sculpture, installation and site-specific outdoor works into his practice. These include Cordyline commissioned by Alan Gibbs for The Farm, Kaipara and Snow Tussock and Golden Spaniard commissioned by Oceana Gold for a heritage and art park in East Otago.

He is also recognised for the diversity of his practice and ability to work in a variety of scenes such as – architecture (with Nicolas Stevens), fashion (with Workshop, World and Karen Walker), music and publishing (record, book and magazine covers) and television (Questions for Mr Reynolds documentary with Shirley Horrocks and Works End with Chris Knox for Art Land). Reynolds is also the recipient of a Laureate Award from the Arts Foundation of New Zealand.
Recently Reynolds and collaborator Arch MacDonnell produced CERTAIN WORDS DRAWN, a book that celebrates the range of his work with writing by 12 contributors. The book is a finalist in this year’s Montana New Zealand Book Awards.

Solo shows and representation in recent events and group exhibitions include: One Hand Read, Art Los Angeles Contemporary, the international art fair of Los Angeles (2010); Table of Dynasties, ART HK, the international art fair of Hong Kong (2009); Dorothy Napangardi / John Reynolds, curated by Robert Leonard, Institute of Modern Art, Brisbane (2009); Walters Prize Exhibition, Auckland Art Gallery (2008); John Reynolds: Under Milk Wood by Dylan Thomas, a collaboration between the artist and actor/director Geraldine Brophy, Christchurch Art Gallery (2008); Speaking Truth to Power, Gus Fisher Gallery, Auckland University (2007); Zones of Conflict, 15th Biennale of Sydney (his work Cloud was commissioned for the entrance hall of the Art Gallery of New South Wales), curated by Charles Merewether (2006); 54321: Auckland Artists Projects, curated by Ngahiraka Mason, Auckland Art Gallery (2006); Nine Lives: The Chartwell Collection, curated by Robert Leonard, Auckland Art Gallery (2003); HEVN: NOT TO SCALE, curated by Sophie McIntyre, Adam Gallery Victoria University, Wellington (2002): and From K Road to Kingdom Come, curated by Gregory Burke and Robert Leonard, Govett-Brewster Art Gallery, New Plymouth (2001).

Artfairs

Past

The Auckland Art Fair 2021

24.02 - 28.02

The Armory Show 2010 | 1001 Nights
an installation by John Reynolds

Art LA Contemporary 2010

ShContemporary 2008 | Gavin Hipkins, Hye Rim Lee, Jae Hoon Lee and Grant Stevens

Sydney Contemporary Presents 2020

Sydney Contemporary 2018

Auckland Art Fair 2018

Auckland Art Fair Projects - Billy Apple®

Auckland Art Fair 2018 - Soap Box Symposium

Art Basel Hong Kong 2018

Art Los Angeles Contemporary 2018

Dialogues | London Art Fair 2018 | P18a

Sydney Contemporary 2017

Video Contemporary | Sydney Contemporary 2017

Art Basel Hong Kong Film 2017

VIRTUAL FAIR - Auckland Art Fair

Art Basel Hong Kong 2017

Art Los Angeles Contemporary 2017

Auckland Art Fair 2016

Auckland Art Fair | Projects Programme 2016

Art Basel Hong Kong 2016 | Encounters

Art Basel Hong Kong 2016

MICHAEL ZAVROS | ART LOS ANGELES CONTEMPORARY

Sydney Contemporary 2015

Installation Contemporary Sydney Contemporary 2015

Art Basel Hong Kong 2015 | Michael Zavros

Art Basel Hong Kong 2020

Art Stage Singapore 2015 | Grant Stevens

Melbourne Art Fair 2014 | Michael Zavros

Art Basel Hong Kong 2014, Encounters | Rebecca Baumann

Art Basel Hong Kong 2014 | Gordon Walters

Auckland Art Fair 2013

Sydney Contemporary 2013

Sydney Contemporary | Video Contemporary 2013 Grant Stevens | Clinton Watkins

Sydney Contemporary | Installation Contemporary 2013

Art Basel Hong Kong 2013 | Billy Apple

The Armory Film March 2012 | Gavin Hipkins This Fine Island

Art Basel Hong Kong 2020 - Encounters

The Armory Show 2012 | Martin Basher

Melbourne Art Fair 2012

Art Hong Kong 2012 | Jin Jiangbo

Art Hong Kong 2011

Art Beijing 2010 | Whitney Bedford, Jin Jiangbo and John Reynolds

Art Hong Kong 2010

ART Hong Kong 2009 | John Reynolds

Art Los Angeles Contemporary 2020

Art Basel 39 | Art Unlimited 2008 | et al

Art Basel 39 2008 | Art Statements | Dane Mitchell: Conjuring Form

Performative Geographies

Sydney Contemporary 2019

Auckland Art Fair

Art Basel Hong Kong, 29 - 31 March 2019, Booth 1C03

Art Los Angeles Contemporary 2019