Exhibitions

Curated by Jonny Niesche | Ümwelt

01.09.23 - 07.10.23

Daniel Boccato

Greg Bogin

Brenden van Hek

Florian Maier-Aichen

Gerold Miller

Robert Moreland

Elizabeth Pulie

Anselm Reyle 

Jim Roche

Rosie Rose

Tariku Shiferaw

Jessica Stockholder

Vincent Szarek

Blair Thurman

No world but the world!

I am remembering the biologist Jakob von Uexkhüll who wrote a century ago and who I read a decade ago – my memory is vague:

A tick’s tiny world comprises its body, the upward effort of scaling grass, signs inscribed by secret vapours, the blood that is its food; a hot meal, sex, death.

Or: a child’s hand might grab the moon as if it were a nearby object. This, for the biologist, is proof that the moon is something different for a child whose sensory world is distorted, whose knowledge has not yet relegated the moon to a place unthinkably far from outstretched fingers. This local world – for a child, grownup, tick, spittlebug – is what von Uexkhüll called a living organism’s umwelt.

Every living thing is a subject who creates their umwelt through their situated perception; in this sense, every living thing is active in the production of their own environment, which is in turn productive of their very subjecthood and modes of perceiving. The biologist used the figure of the bubble to make his point, and to stress what by now seems an impossible claim: these worlds are closed and cannot be known to others.

(This memory sits somewhere in a mental archive alongside a series of black and white diagrams of an oyster’s ‘vision’, a hazy set of pixels representing the illuminatory gaze of some creaturely perception, like crude and briny headlights. These illustrations are the dream of a man who would insist that the oyster’s world is unknowable yet would nonetheless fantasise about oyster-perception’s forms of knowing and world-making.)

So many are taken by the biologist, who, a hundred years ago, predicted the preoccupations of today, a moment in which non-human being is a prevalent if endlessly complicated subject of analysis. To imagine the phenomenology of the rat is, I can admit, a kind of pleasure that is hard to refuse. But of the many who are in love with the biologist’s umwelt, few point out that for von Uexkhüll, the separation of worlds was a way of essentialising difference and therefore, implicitly or explicitly, of turning race into a signifier for ‘naturally’ separate worlds.

The word existed as a common noun in German (meaning environment, more or less) before the biologist’s propositions, which were at once anticipatory, even prophetic, as well as shamefully of his time – a time in which fascism found its home in so many metaphors of home, world, and nature. And it has come to mean other things since. Like so many things, the word umwelt contains nothing less than the history of the twentieth century.

Jacques Lacan uses the word in his theory of the mirror stage. Let’s take our symbolic child from above and ask them to consider, rather than the moon, their own reflection. The child – still a baby – confronts an image that is both of and not them. This attunement of self in world – self and world, self against world, and so on – is an attunement of innenwelt, or inner world, and umwelt, the out-there, the milieu. A biological metaphor becomes a psychological stage; a threshold through which one passes irreversibly into human subjectivity aware of itself as such. This world, painfully, is not an oyster’s.

What is our word for a world? A world inside the world, a world that indexes the historical contingency of that world – this world – yet is also a world unto itself? What is the word for a world opened by desire, or solidarity; a word for the world of an artist in the moment they perceive the material conditions of their making, in the moment the work of art emerges as a complex that contains and exceeds their imprint; a word for the world of friendship or insurrection? What is the word for “no world but the world”, as the poet Anne Boyer puts it, that is, no world but (or no worlds without) the one that is shared? We need many words for such worlds, no doubt, just as we need a ritual for the process through which we recognise and refuse the metaphors we can no longer live by. We need, that is, to burst the biologist’s bubble.

This morning, on the walk between home and preschool, the world drawn by a one-metre-tall child: perennial basil, newly blooming camellia flowers, ibis feathers, a steady descent into what was once a gully, now a bumpy shroud of broken concrete slabs, wet and insect-rich, porous as the promise of absolute difference. No world but the world, as her noticing never fails to attest.

Curated by Jonny Niesche | Ümwelt | STARKWHITE
Exhibitions

Current

Past

Paul Davies | Still Frame

24.10 - 24.11

Billy Apple® | Progressives and Other Self-Portraits

31.08 - 12.10

Marti Friedlander | Starting Point for a Complicated Story

12.07 - 24.08

John Reynolds | Some Greater Plan (for Claire)

04.06 - 06.07

Fiona Pardington | Te taha o te rangi

16.04 - 25.05

Gordon Walters | History

09.02 - 31.03

Whitney Bedford, Bill Henson, Ani O'Neill, Jonny Niesche, and Fiona Pardington | Sampler 2024

09.02 - 31.03

Jamie Te Heuheu | Quiet Thoughts and Quiet Dreams

23.11.23 - 13.01.24

Bill Henson | The Liquid Night

23.11.23 - 31.01.24

Clinton Watkins | Depth of Field

20.10.23 - 19.11.23

Bonco | Star Stare Start

20.10.23 - 19.11.23

Gordon Walters by Francis Pound | Book Launch

14.09.23

Curated by Jonny Niesche | Ümwelt

01.09.23 - 07.10.23

Richard Maloy | Raw

27.07.23 - 27.08.23

Petra Cortright | micro lemon diamond realm

07.07.23 - 26.08.23

Jonny Niesche | You say sfumato, I say sfumato

12.05.23 - 27.06.23

Billy Apple® | Divine Proportion

23.02.23 - 08.04.23

Gerold Miller, Gordon Walters | Miller meets Walters

08.12.23 - 31.01.23

FuckCancer_DontDelayFun | Blind Auction

27.10.22 - 05.11.22

John Reynolds | APOCALYPSEoCLOCK

21.10.22 - 01.12.22

Whitney Bedford | Imaginary

30.08.22 - 15.10.22

Seung Yul Oh | Huggong-Monologue

09.07.22 - 20.08.22

Gerold Miller

01.06.22 - 02.07.22

Bill Henson | Selected Works

30.04.22 - 29.05.22

Layla Rudneva-Mckay | I Roll

15.02.22 - 19.03.22

Fiona Pardington | Tarota

16.11.21 – 18.12.21

Fiona Pardington | Tarota Preview

05.10.21 – 07.10.21

Jan van der Ploeg | The Other Window

17.08.21 – 12.10.21

Laith McGregor | Second Wind

03.07.21 – 07.08.21

Richard Maloy | Maternal Routine

03.06.21 - 19.06.21

Bill Henson | 1985-2021

21.05.21 - 19.06.21

Martin Basher | Birds of Paradise

13.04.21 - 14.05.21

Will Cooke | Every Wall Is A Door

15.01.21 - 13.02.21

Jonny Niesche | Poikilos

17.11.20 - 22.12.20

Gemma Smith | Thin Air

06.10.20 - 07.11.20

Whitney Bedford, Petra Cortright, Kirsten Everberg, Judy Ledgerwood | Slippery Painting

01.09.20 - 03.10.20

Jin Jiangbo, John Reynolds | Performative Geographies

14.07.20 - 15.08.20

Group Show | Sampler 2020

14.05.20 - 06.06.20

Gordon Walters | From the Archive

05.02.20 - 07.03.20

Richard Maloy | Studio: Space & Time

28.01.20 - 01.02.20

Rebecca Baumann | New Work

27.11.19 - 21.12.19

The Estate of L. Budd et al. | the artists in conversation

22.10.19 - 16.11.19

John Reynolds | The Art of Wine

14.10.19

Billy Apple® and Tāme Iti | Flagged

08.10.19 - 12.10.19

Clinton Watkins | binary

19.09.19 - 03.11.19

Yuk King Tan | Crisis of the Ordinary

21.08.19 - 14.09.19

Group Show | Sampler 2019

23.07.19 - 15.08.19

Fiona Pardington | TIKI: Orphans of Māoriland

12.06.19 - 11.07.19

Laith McGregor | AM/PM/AM

09.05.19 - 08.06.19

BILLY APPLE® is N=One

11.04.19 - 05.05.19

Ani O'Neill | Classic Hits

14.03.19 - 10.04.19

Alicia Frankovich | Microchimerism

08.02.19 - 06.03.19

Martin Basher | One Week Stand

24.01.19 - 02.02.19

The Estate of L.Budd_et al.

11.12.18 - 22.12.18, 02.01.19 - 12.01.19

Gavin Hipkins | Block Units

14.11.18 - 08.12.18

John Stezaker | Collages

09.10.18 - 03.11.18

Grant Stevens | The Mountain and the Waterfalls

01.09.18 - 29.09.18

Whitney Bedford | Bohemia

31.07.18 - 24.08.18

Seung Yul Oh | Horizontal Loop

26.06.18 - 28.07.18

Gordon Walters | From the Walters Estate

29.05.18 - 16.06.18

Group Show | Sampler 2018

17.04.18 - 26.05.18

Alicia Frankovich, Ani O’Neill, The Estate of L Budd, et al. | 125

13.03.18 - 07.04.18

Len Lye | Love Springs Eternal

07.02.18 - 07.03.18

Richard Maloy | Things I have Seen

22.12.17

Michael Zavros | The Silver Fox

17.11.17 - 16.12.17

John Reynolds | RocksInTheSky...

17.11.17 - 24.12.17

Martin Basher | Devil at the Gates of Heaven

10.10.17 - 04.11.17

Daniel von Sturmer | Luminous Figures

02.09.17 - 30.09.17

Martin Basher | Hawaiian Tropic

01.08.17 - 26.08.17

Fiona Pardington | Nabokov's Blues: The Charmed Circle

23.06.17 - 23.07.17

John Reynolds | FrenchBayDarkly…

17.05.17 - 17.06.17

Group Show | On the Grounds

02.03.17 - 08.04.17

Billy Apple® | Art Transactions

08.02.17 - 04.03.17

Gavin Hipkins, Jin Jiangbo, Danie Mellor | Beyond Landscape

17.11.16 - 17.12.16

Laith McGregor | Swallow the Sun

01.10.16 - 12.11.16

Matt Henry | Analogues

19.09.16 - 14.10.16

John Reynolds | WalkWithMe...

30.08.16 - 24.09.16

Daniel Crooks | Vanishing Point

03.08.16 - 27.18.16

Gavin Hipkins, Richard Maloy, Daniel von Sturmer | Material Candour

05.07.16 - 22.07.16

Layla Rudneva-Mackay | Running Towards Water

07.06.16 - 08.07.16

Fiona Pardington | 100% Unicorn

24.05.16 - 25.06.16

Clinton Watkins | lowercase

19.04.16 - 18.05.16

Whitney Bedford 2016 | Lost and Found

15.03.16 - 14.04.16

Fiona Clark | For Pink Pussycat Club as part of THE BILL

20.02.16 - 22.04.16

Alicia Frankovich | The Female has Undergone Several Manifestations

06.02.16 - 05.03.16

Fiona Pardington | The Popular Recreator

11.12.15 - 23.12.15

Gavin Hipkins | Block Paintings

04.11.15 - 05.12.15

Gordon Walters | Gouaches and a Painting from the 1950s

21.09.15 - 24.10.15

Fiona Pardington | Childish Things

12.08.15 - 19.09.15

Rebecca Baumann, Brendan Van Hek, Alicia Frankovich, Len Lye, László Moholy-Nagy and Grant Stevens | In Motion

10.07.15 - 08.08.15

Grant Stevens | Hold Together, Fall Apart

07.07.15 - 02.08.15

Laith McGregor | Somewhere Anywhere

02.06.15 - 04.07.15

Arnold Manaaki Wilson, Billy Apple® | TOTEM | curated by Mary Morrison

01.05.15 - 30.05.15

Martin Basher | Jizzy Velvet

03.02.15 - 14.03.15

John Reynolds | BLUTOPIA

19.12.14

Seung Yul Oh | memmem

31.10.14 - 06.12.14

Gavin Hipkins | Erewhon

31.10.14 - 29.11.14

Rebecca Baumann | Once More With Feeling

19.09.14 - 18.10.14

Michael Zavros | Bad Dad

02.06.14 - 28.06.14

THE ANALYSIS OF BILLY APPLE®

05.05.14 - 10.05.14

Jin Jiangbo, Stella Brennan, Billy Apple, Trenton Garratt, Seung Yul Oh, John Reynolds, Layla Rudneva-Mackay, Jim Speers, Yuk King Tan and Wang Dawei | SIGNALS

08.08.14 - 13.09.14

Layla Rudneva-Mackay | Blue Squares, Purple Pairs

17.03.14 - 12.04.14

Curated by Martin Basher | Lovers

06.02.14 - 06.03.14

Glen Hayward | I don't want you to worry about me

06.12.13 - 31.01.14

Matt Henry | High Fidelity

16.11.13 - 14.12.13

Li Xiaofei | Assembly Line - Entrance

03.10.13 - 26.10.13

Richard Maloy | All the things I did

04.09.13 - 30.09.13

John Reynolds | Vagabondage

22.08.13 - 21.09.13

Clinton Watkins | Frequency Colour

25.07.13 - 16.08.13

Curated by Robert Leonard | BAZINGA!

11.05.13 - 08.06.13

Whitney Bedford | This for That

09.04.13 - 04.05.13

Jin Jiangbo | Rules of Nature

08.03.13 - 04.04.13

Martin Basher | Solo Exhibition

05.02.2013 - 02.03.13

Ross Manning | Field Emissions

29.11.12 - 22.12.12, 15.01.13 - 22.01.13

Seung Yul Oh | HUGGONG

23.10.12 - 17.11.12

Jae Hoon Lee | Antarctic Fever

18.09.12 - 13.10.12

Curated by Brian Butler | Greetings from Los Angeles: Eight Artists

10.07.12 - 06.08.12