Exhibitions

The Estate of L.Budd_et al.

11.12.18 - 22.12.18, 02.01.19 - 12.01.19

Upstairs at Starkwhite a curious exhibition fills one large room. Although there is a visual aesthetic linking the art works it is not a solo show, but the work of multiple creators: The Estate of L. Budd and the collective known as et al. Downstairs a short black and white film plays, it too shares a connection, but is a 1973 work by Popular Productions1. Working under all these titles is an artist whose anonymous collective framework allows a disruption to the conventional understanding of art making, just as much as their practice disrupts a straightforward reading of their work.

Upstairs, two limited edition bronze casts are joined by works on paper, along with tape, paint, and hand writing across post-it notes, on metal shelves and drawers, on domestic blinds and across book covers. There’s more colour than before, a recent addition to et al.’s output, but the work is wilfully enigmatic, offering a gritty aesthetic and intriguing content but little to anchor on. The narrative is obscure and non-linear, points of connection are tantalisingly few. The works in the exhibition share the look of archival fragments, or of historical documentation disrupted with a scrawled stream of consciousness. Abstract references to politics, academia, philosophy, and those contributing to the et al. umbrella collective populate the work, more akin to the intellectually engaged slogans of recent French popular uprisings than that of neighbourhood bus stops.

But what of the formal language the art work is presented under? The Estate of L. Budd came into being in 2001 and makes use of the standard attribution for exhibition purposes once an artist has died. At this time the artist working under this signature incorporated all their other artistic entities under ‘et al.’, and the collective shifted to an installation practice focused on found materials, erratic machinery, and unsettling soundscapes. But was stage managing the death of L. Budd emblematic of the contradictory nature of the practice, or a considered move? As art critic Francis Pound once wrote, ‘The museum wants the artist timeless. It is waiting for the death. Only with the closure of death does the oeuvre completely and happily begin.’2  But here’s precisely where things get interesting. The departure of L. Budd didn’t so much signal an artist’s death but the birth of an unprecedented artistic opportunity, that of estate management as a carefully constructed conceptual art project. Intriguingly, and within a practice that is intentionally discordant, in establishing The Estate concern is shown for conventional organisational structures, such as the control of estate executors over existing art works and future editions, and the earlier production of a retrospective exhibition and catalogue raisonné.

The experience of an et al. or Estate of L. Budd exhibition can be something of a conundrum. In much the same way that a cat’s allure draws you but the continuously altering exchange offers little in return beyond the offer to begin establishing a relationship, this shifting group of artistic entities offers no easy rewards. It is an addictive cycle with plenty of intrigue but feels impossible to have a comprehensive understanding or polished ‘take’ on the work.

1 the story of POPULAR PRODUCTIONS_et al. 1973, 16 mm silent b/w film, audio by George Hubbard ’praising god’ 1990 )NZ/Aust), transfer to digital 2010. Filmed at the Marylands Residential School (opening 1955), Halswell, Christchurch, NZ, run by the Romana Catholic Order Brothers Hospitallers of St, John of God, as a residential school for children with learning difficulties. The young boy was in the care of the brothers of St John of God at the time of filming. Maryland’s school, more recently, was the centre of sex abuse cases. A not-for-profit trust the Survivors of Sex Abuse Trust, worked with many of the victims. There is no evidence that the child in the film was a victim of sex abuse.

2 Francis Pound in a catalogue essay for artist Julian Dashper

Exhibitions

Upcoming

Past

Gordon Walters | History

09.02 - 31.03

Whitney Bedford, Bill Henson, Ani O'Neill, Jonny Niesche, and Fiona Pardington | Sampler 2024

09.02 - 31.03

Jamie Te Heuheu | Quiet Thoughts and Quiet Dreams

23.11.23 - 13.01.24

Bill Henson | The Liquid Night

23.11.23 - 31.01.24

Bonco | Star Stare Start

20.10.23 - 19.11.23

Clinton Watkins | Depth of Field

20.10.23 - 19.11.23

Gordon Walters by Francis Pound | Book Launch

14.09.23

Curated by Jonny Niesche | Ümwelt

01.09.23 - 07.10.23

Richard Maloy | Raw

27.07.23 - 27.08.23

Petra Cortright | micro lemon diamond realm

07.07.23 - 26.08.23

Jonny Niesche | You say sfumato, I say sfumato

12.05.23 - 27.06.23

Billy Apple® | Divine Proportion

23.02.23 - 08.04.23

Gerold Miller, Gordon Walters | Miller meets Walters

08.12.23 - 31.01.23

FuckCancer_DontDelayFun | Blind Auction

27.10.22 - 05.11.22

John Reynolds | APOCALYPSEoCLOCK

21.10.22 - 01.12.22

Whitney Bedford | Imaginary

30.08.22 - 15.10.22

Seung Yul Oh | Huggong-Monologue

09.07.22 - 20.08.22

Gerold Miller

01.06.22 - 02.07.22

Bill Henson | Selected Works

30.04.22 - 29.05.22

Layla Rudneva-Mckay | I Roll

15.02.22 - 19.03.22

Fiona Pardington | Tarota

16.11.21 – 18.12.21

Fiona Pardington | Tarota Preview

05.10.21 – 07.10.21

Jan van der Ploeg | The Other Window

17.08.21 – 12.10.21

Laith McGregor | Second Wind

03.07.21 – 07.08.21

Richard Maloy | Maternal Routine

03.06.21 - 19.06.21

Bill Henson | 1985-2021

21.05.21 - 19.06.21

Martin Basher | Birds of Paradise

13.04.21 - 14.05.21

Will Cooke | Every Wall Is A Door

15.01.21 - 13.02.21

Jonny Niesche | Poikilos

17.11.20 - 22.12.20

Gemma Smith | Thin Air

06.10.20 - 07.11.20

Whitney Bedford, Petra Cortright, Kirsten Everberg, Judy Legerwood | Slippery Painting

01.09.20 - 03.10.20

Jin Jiangbo, John Reynolds | Performative Geographies

14.07.20 - 15.08.20

Group Show | Sampler 2020

14.05.20 - 06.06.20

Gordon Walters | From the Archive

05.02.20 - 07.03.20

Richard Maloy | Studio: Space & Time

28.01.20 - 01.02.20

Rebecca Baumann | New Work

27.11.19 - 21.12.19

The Estate of L. Budd et al. | the artists in conversation

22.10.19 - 16.11.19

John Reynolds | The Art of Wine

14.10.19

Billy Apple® and Tāme Iti | Flagged

08.10.19 - 12.10.19

Clinton Watkins | binary

19.09.19 - 03.11.19

Yuk King Tan | Crisis of the Ordinary

21.08.19 - 14.09.19

Group Show | Sampler 2019

23.07.19 - 15.08.19

Fiona Pardington | TIKI: Orphans of Māoriland

12.06.19 - 11.07.19

Laith McGregor | AM/PM/AM

09.05.19 - 08.06.19

BILLY APPLE® is N=One

11.04.19 - 05.05.19

Ani O'Neill | Classic Hits

14.03.19 - 10.04.19

Alicia Frankovich | Microchimerism

08.02.19 - 06.03.19

Martin Basher | One Week Stand

24.01.19 - 02.02.19

The Estate of L.Budd_et al.

11.12.18 - 22.12.18, 02.01.19 - 12.01.19

Gavin Hipkins | Block Units

14.11.18 - 08.12.18

John Stezaker | Collages

09.10.18 - 03.11.18

Grant Stevens | The Mountain and the Waterfalls

01.09.18 - 29.09.18

Whitney Bedford | Bohemia

31.07.18 - 24.08.18

Seung Yul Oh | Horizontal Loop

26.06.18 - 28.07.18

Gordon Walters | From the Walters Estate

29.05.18 - 16.06.18

Group Show | Sampler 2018

17.04.18 - 26.05.18

Alicia Frankovich, Ani O’Neill, The Estate of L Budd, et al. | 125

13.03.18 - 07.04.18

Len Lye | Love Springs Eternal

07.02.18 - 07.03.18

Richard Maloy | Things I have Seen

22.12.17

Michael Zavros | The Silver Fox

17.11.17 - 16.12.17

John Reynolds | RocksInTheSky...

17.11.17 - 24.12.17

Martin Basher | Devil at the Gates of Heaven

10.10.17 - 04.11.17

Daniel von Sturmer | Luminous Figures

02.09.17 - 30.09.17

Martin Basher | Hawaiian Tropic

01.08.17 - 26.08.17

Fiona Pardington | Nabokov's Blues: The Charmed Circle

23.06.17 - 23.07.17

John Reynolds | FrenchBayDarkly…

17.05.17 - 17.06.17

Group Show | On the Grounds

02.03.17 - 08.04.17

Billy Apple® | Art Transactions

08.02.17 - 04.03.17

Gavin Hipkins, Jin Jiangbo, Danie Mellor | Beyond Landscape

17.11.16 - 17.12.16

Laith McGregor | Swallow the Sun

01.10.16 - 12.11.16

Matt Henry | Analogues

19.09.16 - 14.10.16

John Reynolds | WalkWithMe...

30.08.16 - 24.09.16

Daniel Crooks | Vanishing Point

03.08.16 - 27.18.16

Gavin Hipkins, Richard Maloy, Daniel von Sturmer | Material Candour

05.07.16 - 22.07.16

Layla Rudneva-Mackay | Running Towards Water

07.06.16 - 08.07.16

Fiona Pardington | 100% Unicorn

24.05.16 - 25.06.16

Clinton Watkins | lowercase

19.04.16 - 18.05.16

Whitney Bedford 2016 | Lost and Found

15.03.16 - 14.04.16

Fiona Clark | For Pink Pussycat Club as part of THE BILL

20.02.16 - 22.04.16

Alicia Frankovich | The Female has Undergone Several Manifestations

06.02.16 - 05.03.16

Fiona Pardington | The Popular Recreator

11.12.15 - 23.12.15

Gavin Hipkins | Block Paintings

04.11.15 - 05.12.15

Gordon Walters | Gouaches and a Painting from the 1950s

21.09.15 - 24.10.15

Fiona Pardington | Childish Things

12.08.15 - 19.09.15

Rebecca Baumann, Brendan Van Hek, Alicia Frankovich, Len Lye, László Moholy-Nagy and Grant Stevens | In Motion

10.07.15 - 08.08.15

Grant Stevens | Hold Together, Fall Apart

07.07.15 - 02.08.15

Laith McGregor | Somewhere Anywhere

02.06.15 - 04.07.15

Arnold Manaaki Wilson, Billy Apple® | TOTEM | curated by Mary Morrison

01.05.15 - 30.05.15

Martin Basher | Jizzy Velvet

03.02.15 - 14.03.15

John Reynolds | BLUTOPIA

19.12.14

Seung Yul Oh | memmem

31.10.14 - 06.12.14

Gavin Hipkins | Erewhon

31.10.14 - 29.11.14

Rebecca Baumann | Once More With Feeling

19.09.14 - 18.10.14

Michael Zavros | Bad Dad

02.06.14 - 28.06.14

THE ANALYSIS OF BILLY APPLE®

05.05.14 - 10.05.14

Jin Jiangbo, Stella Brennan, Billy Apple, Trenton Garratt, Seung Yul Oh, John Reynolds, Layla Rudneva-Mackay, Jim Speers, Yuk King Tan and Wang Dawei | SIGNALS

08.08.14 - 13.09.14

Layla Rudneva-Mackay | Blue Squares, Purple Pairs

17.03.14 - 12.04.14

Curated by Martin Basher | Lovers

06.02.14 - 06.03.14

Glen Hayward | I don't want you to worry about me

06.12.13 - 31.01.14

Matt Henry | High Fidelity

16.11.13 - 14.12.13

Li Xiaofei | Assembly Line - Entrance

03.10.13 - 26.10.13

Richard Maloy | All the things I did

04.09.13 - 30.09.13

John Reynolds | Vagabondage

22.08.13 - 21.09.13

Clinton Watkins | Frequency Colour

25.07.13 - 16.08.13

Curated by Robert Leonard | BAZINGA!

11.05.13 - 08.06.13

Whitney Bedford | This for That

09.04.13 - 04.05.13

Jin Jiangbo | Rules of Nature

08.03.13 - 04.04.13

Martin Basher | Solo Exhibition

05.02.2013 - 02.03.13

Ross Manning | Field Emissions

29.11.12 - 22.12.12, 15.01.13 - 22.01.13

Seung Yul Oh | HUGGONG

23.10.12 - 17.11.12

Jae Hoon Lee | Antarctic Fever

18.09.12 - 13.10.12

Curated by Brian Butler | Greetings from Los Angeles: Eight Artists

10.07.12 - 06.08.12